Toile Max Beckmann

Max Beckmann - German Expresonism - Self-Portrait with Champagne Glass, 1919 Max Beckmann - Self-Portrait with Champagne Glass, 1919 Portrait de Self Champagne Glass is Beckmann's third PortIl a quelque chose de created après le Premier Monde. The artist had previously depicted himself as a nurse and painter in the studio. Now he presented himself as an elegant dandy in a tuxedo at the counter of a nightclub. Dans un dessin traditionnel. Dépicommuniements of merry drinkers or revelers were particularly popular in 17th-century Dutch and Flemish painting. But Beckmann's portrayal does not convey the impression of exuberant merriment. Its head rescuiva skull, its skin is greenish, its eyes shtoujours in red and yellow tones. Convulsively contorted, his fits into the narrow pictorial space.